http://www.kaosmusiccentre.com/index.htmlWhat's new at KAOS Musiceninfo@kaosmusiccentre.comCopyright 2010 Bill Bates2012-06-26T18:37:10-04:00 hourly 1 2000-01-01T12:00+00:00 Wed, 14 Apr 2010 10:25:46 -0400info@kaosmusiccentre.comHome2012-06-26T18:37:10-04:00http://www.kaosmusiccentre.com/jaysblog_files/c3d8b8b1fb54e70e3f308cf63a2c1694-52.html#unique-entry-id-52http://www.kaosmusiccentre.com/jaysblog_files/c3d8b8b1fb54e70e3f308cf63a2c1694-52.html#unique-entry-id-52]]>info@kaosmusiccentre.comHome2012-06-22T11:29:09-04:00http://www.kaosmusiccentre.com/jaysblog_files/818e489cafcf802381486066a12717f8-51.html#unique-entry-id-51http://www.kaosmusiccentre.com/jaysblog_files/818e489cafcf802381486066a12717f8-51.html#unique-entry-id-51As most people would know, the recent scheduled Radiohead show in Toronto was cancelled due to a tragic accident when part of the massive stage complex collapsed. The accident claimed the life of Radiohead’s drum tech, Scott Johnson. This was the last show on their North American tour. I ,like forty thousand others, was on my way to the concert when I heard the news and was left in disbelief. In the days after, one is left with a lot of ‘what if’s and ‘how could’s’. What if the band had started the show? How could this have happened on a beautiful, clear and calm night? It’s also easy to get frustrated on not getting the chance to see one of the best live bands.

Collapsing stage complexes have happened in the past, usually at outdoor events when a stage is being modified for a non-traditional type venue such as Downsview Park. However, they are rare and usually the result of unforeseeable circumstances or a freak accident. Radiohead have always tried to push the boundaries with their music, mediums and live shows including the venues they play. I believe this tragedy shouldn’t impact trying to hold these events at outdoor venues, as they usually end up being tremendous shows free from the stuffy and poor sounding confines of a stadium. Obviously something needs to be learned from this, but stopping or banning these shows would be futile.

In the end one is left to reflect on the tragedy, the loss of life, the unpredictable perils of a job someone had done countless times before. ]]>info@kaosmusiccentre.comHome2012-06-05T11:24:40-04:00http://www.kaosmusiccentre.com/jaysblog_files/53cddfc317d056a647253b47bb344e35-50.html#unique-entry-id-50http://www.kaosmusiccentre.com/jaysblog_files/53cddfc317d056a647253b47bb344e35-50.html#unique-entry-id-50I thought I would do a short blog on the capo. Capo is short for the Italian word capotasto - ‘head of fretboard’ and dates back to the early 17th century. James Ashborn is known to design the first patented capo in Connecticut. The main use of the capo is to raise the pitch of the fretted instrument with the intention of using different fingerings in a certain key than would be played in an ‘open’ position. This can make chord and fingering changes easier while also providing a different tonal character.

There are a few different styles of capos and various different mechanisms used to clamp it to the fretboard. The most common types consist of a rubber covered bar that presses against the strings towards the fretboard while being clamped on the neck with either a strap (‘strap-on’ capo), or by a screw clamp or tension clamp (‘clamp capo’). The size will also vary according to the instrument being used such as a banjo capo, mandolin capo, classical capo (will be slightly longer and flatter than an acoustic capo), electric guitar capo, etc.

Some popular capo manufacturers include Kyser, Shubb, Dunlop, Planet Waves and G 7th.]]>info@kaosmusiccentre.comHome2012-05-29T15:48:36-04:00http://www.kaosmusiccentre.com/jaysblog_files/44f9c876b3b8680aed91323e1cd74ce9-49.html#unique-entry-id-49http://www.kaosmusiccentre.com/jaysblog_files/44f9c876b3b8680aed91323e1cd74ce9-49.html#unique-entry-id-49Summer is the ideal time for the acoustic guitar as it’s great to strum it in the backyard, on the balcony, at the campfire or on the dock. With the growing popularity of the ukulele it seems our summer could become the time of the uke. Hawaii is the birthplace of the ukulele so we associate it with a laid back, easy going attitude in a hot and tropical climate. Because they are so portable the ukulele makes an ideal instrument for bringing on a road trip or packing it for the cottage or camping. They are also a load of fun to play in groups.

We recently received our order of Kala and Makala ukuleles from California. This is a popular brand due to the quality, price point and extensive range in styles. They come in a variety of colours and designs as well as a variety of tone wood choices.

Happy uke playing .. Jay
]]>info@kaosmusiccentre.comHome2012-05-23T20:15:52-04:00http://www.kaosmusiccentre.com/jaysblog_files/36a1e0e09f4796d630701df40fbd511c-48.html#unique-entry-id-48http://www.kaosmusiccentre.com/jaysblog_files/36a1e0e09f4796d630701df40fbd511c-48.html#unique-entry-id-48I recently picked up a used ipad 1st generation to fool around with and have been quite pleased with it. My main application for it will be to record music ideas on the go. I have been researching music apps and was a bit overwhelmed by the choice. The app choices seem to be (at this time anyways) to be catered towards the novice musician or hobbyist wanting to do basic recording with minimal pro features. The other is for the hip hop/dj person wanting to create beat driven songs with loops, synths etc. These programs range from a scaled down Garageband to MusicStudio and Beatmaker. There are a number of great standalone programs for drum machines, synths and dj tools. The problem is integrating these with the host program to put together a complete song. It involves a lot of importing and exporting of files and using multiple programs.

For someone like myself looking for a more pro app with all the recording, instruments and fx built into one app we are out of luck at the moment. This is due to a lack of development and the limitations of the power and technology of the ipad. There are some developers that will be introducing a more sophisticated music app in the near future. These apps promise to integrate pro daw features with VST technology built into the app. Auria is one app that I have my eye on that promises to deliver all of the above. It won’t be long before the likes of Steinberg, Logic and Avid produce similar products.

Looking forward to that .. Jay]]>info@kaosmusiccentre.comHome2012-05-15T15:24:55-04:00http://www.kaosmusiccentre.com/jaysblog_files/24f62e3675a2ba3f8277058a90cf3dc8-47.html#unique-entry-id-47http://www.kaosmusiccentre.com/jaysblog_files/24f62e3675a2ba3f8277058a90cf3dc8-47.html#unique-entry-id-47Yamaha has updated two of the world’s most sold acoustic electric guitars in the APX500 ii and APX700ii. This thin-line series offers a comfortable, easy top-fret access guitar that is perfect for the stage with bright clear mids, balanced highs and controlled lows. They have a surprisingly full and natural tone for a thin body acoustic with a specially designed non scalloped bracing design that allows the guitars to sing.

The big difference between the 700 vs the 500 is that the 700 has a solid Spruce top and an upgraded pickup system in the A.R.T. which is designed to capture the guitars full body resonance.

APX 500ii specs: Under $300!
APX 700ii specs: Under $600!

Top: Spruce
Back: Nato
Side: Nato
Neck: Nato
Fingerboard: Rosewood
Bridge: Rosewood
Body Depth: 80-90mm (3 1/8" - 3 9/16")
Nut Width: 43mm (46mm APX700ii)
String Length: 634mm
Tuners: Die-Cast Chrome
Preamp: System 65 (System 64 1-way ART)

Yamaha classics that will continue to amaze.]]>info@kaosmusiccentre.comHome2012-05-07T16:02:02-04:00http://www.kaosmusiccentre.com/jaysblog_files/72f1a0de4d59a349e0ffa37bec353031-46.html#unique-entry-id-46http://www.kaosmusiccentre.com/jaysblog_files/72f1a0de4d59a349e0ffa37bec353031-46.html#unique-entry-id-46
Song Harmonica

E A
A D
D G
G C
C F
F Bb
B E
Bb Eb

Looking at this guide you can see why different harps would be needed, but it is important to remember that the majority of singer/songwriter songs, especially songs that one would be playing say acoustic guitar with a harp would fall into a few common keys: E, G, C, and A. The trouble with this is that as soon as a capo is used the key gets shifted to more uncommon keys such as F# or Bb for example. Thus again the need for more than one harp to accommodate.
]]>info@kaosmusiccentre.comHome2012-04-24T13:42:26-04:00http://www.kaosmusiccentre.com/jaysblog_files/7fb8527cbcc4c7e11fde5cd72561acc1-45.html#unique-entry-id-45http://www.kaosmusiccentre.com/jaysblog_files/7fb8527cbcc4c7e11fde5cd72561acc1-45.html#unique-entry-id-45We recently received the new DCPA5K acoustic guitar from Martin that we are excited about. It follows in the same series as the CPA1, 3 and 4. It is an affordable performing artist series guitar that still has a great sound with quality electronics on board. It has a solid Sitka spruce top with Koa pattern HPL back and sides. The neck is Martin’s trademarked high pressure neck that is very stable and the pickup system is a Fishman F1.

Fantastic guitar!

Jay ..




]]>info@kaosmusiccentre.comHome2012-04-18T09:00:17-04:00http://www.kaosmusiccentre.com/jaysblog_files/4c63dd459d424d3d7450e2a220035f57-44.html#unique-entry-id-44http://www.kaosmusiccentre.com/jaysblog_files/4c63dd459d424d3d7450e2a220035f57-44.html#unique-entry-id-44
Martin are obviously well known for their fantastic acoustic guitars but they also happen to make outstanding ukuleles as well.

The S1 is a soprano sized uke with top, back and sides crafted with solid genuine mahogany. It also has a dovetail neck. It has a very warm and rich tone for a soprano.

The C1K is a concert size uke that features top, sides and back with solid Hawaiian Koa, a wood native to Hawaii and a favourite among the great Hawaiian players. It has a dovetail neck joint as well. It is a beautiful sounding ukulele with great punch and even tone throughout.

The T1K is the bigger sister of the C1K with matching specs but in a bigger size giving it more bass and a louder sound.

All three of these Ukes are priced under $600 making them an affordable top quality ukulele.

Jay ..]]>info@kaosmusiccentre.comHome2012-04-10T17:15:40-04:00http://www.kaosmusiccentre.com/jaysblog_files/1fa52ae9027b7b81c3e9925cbf9f45dd-43.html#unique-entry-id-43http://www.kaosmusiccentre.com/jaysblog_files/1fa52ae9027b7b81c3e9925cbf9f45dd-43.html#unique-entry-id-43
The most common type are:

Planet Waves GH Stringed Instrument Care

Planet Waves’ acoustic guitar humidifier keeps your guitars from drying out, even in the driest conditions. The moisture reservoir is suspended inside the body. The system releases moisture evenly and slowly without touching the instrument. A high absorption sponge maintains proper humidity levels and is quick and easy to refill.

Protects your guitar from drying out without damaging the finish.
Suspended by the strings, never touches the guitar body.
No clips or fasteners which can scratch the guitar finish.
Exclusive non-drip design releases moisture evenly and slowly.

Oasis OH-1 Original Guitar Humidifier

The Blue Oasis Guitar Humidifier is made from a specially designed fabric that allows water vapor (but not water) to pass through it. As water evaporates, the Oasis shrinks to compensate for the loss of water. By monitoring the shrinkage, you will know when it’s time to refill.

You can see when Oasis is ready for refill.
Long lasting humidification.
Won’t leak due to overfilling.
Two levels of leak protection.
Stabilized to never touch the guitar’s body.

Panet Waves Humidipak System

The Planet Waves Humidipak Kit lets you maintain a constant 45% humidity level for your instrument, giving you peace of mind and an easy-to-use system. The Humidipak Kit gives you a true "2-way" humidity control, keeping a steady percentage by adding or depleting moisture as necessary.


Planet Waves Humidipak Kit Instrument Humidifier Features:
True two-way humidity control
Maintains constant 45%RH within instrument case
No water, no drips, no mess
Long lasting, maintenance-free design

Herco Guitar Humidifier

This guitar humidifier is a clay-filled plastic container that is ideal for guitars, clarinets, violins, cellos, and any other wood instrument that needs help to prevent drying out and cracking.
]]>info@kaosmusiccentre.comHome2012-04-05T16:08:48-04:00http://www.kaosmusiccentre.com/jaysblog_files/9be46fb3920f7de028292e975b737964-42.html#unique-entry-id-42http://www.kaosmusiccentre.com/jaysblog_files/9be46fb3920f7de028292e975b737964-42.html#unique-entry-id-42A common misunderstanding with customers at Kaos is the importance of proper humidity levels and your guitar, especially solid top or all solid acoustic guitars. Due to our drastic temperature and humidity changes here in Ontario it is especially a concern. The ideal recommended humidity level for your guitar is between 45 and 55 percent. Below 40 percent and your guitar is in danger of being too dry and this can lead to a number of problems from fret buzz and sharp frets to cracks in the wood. You should be concerned with this from September to May, as these tend to be our driest months. The best way to deal with this is to keep a humidifier in the case or in the soundhole of the guitar. Alternatively, you could keep a humidifier unit in the room with the guitar(s) if you keep them on a stand. Having a humidity gauge will help you keep the proper humidity level. Overall, being concerned with humidity will not only prolong the life or your guitar but keep it playing at an optimal level.

Next blog I will go over some specific humidifying options for your acoustic.]]>info@kaosmusiccentre.comHome2012-03-29T15:24:52-04:00http://www.kaosmusiccentre.com/jaysblog_files/24a8492fcf7e1b7b2f3e3dda680982d9-41.html#unique-entry-id-41http://www.kaosmusiccentre.com/jaysblog_files/24a8492fcf7e1b7b2f3e3dda680982d9-41.html#unique-entry-id-41Last Friday Lou and myself were lucky to see Daniel Lanois and Brian Blade perform at the Great Hall basement in a recorded show by the CBC. It was a show to cap off his introduction into the Canadian Hall of Fame the week before. Lanois, as most of you will know him, is the producer behind countless master albums by U2, Bob Dylan, Emmylou Harris, the list goes on. He is also a great songwriter and accomplished guitar and pedal steel player. Brian Blade has become his go to drummer and is simply one of the best there is. It was an intimate show that featured a lot of Lanois’ classic songs from the past (the Maker, Marie Claire, the Messenger) as well as some of his new instrumental pieces that push the boundaries of music.. He always puts on an incredible show that leaves everyone amazed and thinking about the show for weeks after. This show, because of its intimacy and importance, was especially amazing. If you haven’t seen him yet, it is worth making the effort as you will become a fan for life.

Also, thanks to one of our customers Stuart Foran (who worked with Lanois briefly at Grant Ave. Studio in Hamilton) we got a chance to meet the man after the show. He is a sweet guy, very modest and humble. A true genius and a Canadian icon.

http://music.cbc.ca/#/blogs/2012/3/Video-Daniel-Lanois-performs-Fire-live-at-the-Great-Hall

]]>info@kaosmusiccentre.comHome2012-03-21T13:56:16-04:00http://www.kaosmusiccentre.com/jaysblog_files/68d9f3bf1264f27c69b2317fc05b6f43-40.html#unique-entry-id-40http://www.kaosmusiccentre.com/jaysblog_files/68d9f3bf1264f27c69b2317fc05b6f43-40.html#unique-entry-id-40One of our favourite guitars at Kaos is the Sheryl Crow signature Country Western guitar. The story behind this guitar is that back in 1999 she brought her 1962 Country Western to Gibson and wanted them to recreate it for her with some modern appointments. Gibson decided to take it one step further and issue a signature series model in the Gibson lineup. The result is a modern recreation that morphs the designs from the Country Western as well as the Hummingbird and J45. It’s a square shoulder style with a sitka spruce top, mahogany sides and back, X bracing, indian rosewood fretboard, 20 frets, vintage white buttons and L.R Baggs element pickup.

It has a great look and plays and sounds like a dream. We stock this guitar regularly but because it is so popular we sometimes find ourselves waiting for our next one to come in. Nonetheless, please drop in some time to try it for yourself, it really is fantastic. You can get a better look and sound of it on our website from a product video I did on the guitar. Click here to view

Thanks .. Jay]]>info@kaosmusiccentre.comHome2012-03-12T16:02:32-04:00http://www.kaosmusiccentre.com/jaysblog_files/6fee12ebbbed78fecffc2e16ac5f273c-39.html#unique-entry-id-39http://www.kaosmusiccentre.com/jaysblog_files/6fee12ebbbed78fecffc2e16ac5f273c-39.html#unique-entry-id-39
The HD28 and V come with a herringbone top inlay that gives the two a more fancy look than the more simple D28. The HD28V also comes with Gotoh nickel open geared tuners with butterbean knobs (as opposed to standard chrome closed tuners on the D28/HD28) to give it more of a vintage look.

All three are fantastic guitars that have become classics.

Thanks for reading .. Jay]]>info@kaosmusiccentre.comHome2012-03-07T20:12:02-05:00http://www.kaosmusiccentre.com/jaysblog_files/2b078bdf947ef793785cb64134f09f76-38.html#unique-entry-id-38http://www.kaosmusiccentre.com/jaysblog_files/2b078bdf947ef793785cb64134f09f76-38.html#unique-entry-id-38In this blog I am going to list and discuss some pickups available from Seymour Duncan. Seymour Duncan are more known for their popular electric guitar pickups but they also make quality acoustic pickups. They offer both quick mount and installed/removable and installed/permanent systems as well as both active and passive types. Each has advantages/disadvantages. It really depends on the player/guitar and price range. Obviously the more features and higher specs (as well as being active) will be significantly more expensive but will also sound a lot better.

Seymour Duncan]]>info@kaosmusiccentre.comHome2012-02-28T16:15:14-05:00http://www.kaosmusiccentre.com/jaysblog_files/e8446e4d6a708795fa4d0acbd777e812-37.html#unique-entry-id-37http://www.kaosmusiccentre.com/jaysblog_files/e8446e4d6a708795fa4d0acbd777e812-37.html#unique-entry-id-37Putting a microphone in front of an acoustic guitar live has always been a troubling way to amplify the guitar. Inconsistencies in volume, feedback and muddiness usually result. The best way is to put a pickup in the guitar. This is the easy part, the hard part is deciding what pickup is right for you and the guitar. These days there are a number of pickup options from active and passive pickups to installed and quick mount pickups.

Passive pickups will have no preamp and therefore will not require a battery, while active systems will have a preamp section either in the tail end at the input or,if it is a sound hole pickup, in the pickup itself. These will require a battery. The benefits of the active system is that it will have a volume control and will generally have more output and clarity. They will also cost more.

Quick mount pickups are acoustic pickups that can be slotted in and out of the sound hole as desired with no modifications to the guitar. The benefits are that no modifications need to be performed on the guitar and it can be removed when not needed. The negatives are that they tend not to be as nice or detailed sounding (with the exception of some costly top end models) and a dangling cable has to be dealt with. Quick mount pickups are almost exclusively passive.

Installed pickup systems are the most common and can either be passive or active. The pickup is either a sound hole type or an under saddle type. The input jack needs to be mounted at the bottom of the guitar (usually where the strap button is) and a small hole needs to be drilled under the saddle if it is an under saddle type.

Next blog I will talk about some specific systems.
]]>info@kaosmusiccentre.comHome2012-02-22T17:15:39-05:00http://www.kaosmusiccentre.com/jaysblog_files/54eb0bf4083c03ee20cfb0ce8d0b3d38-35.html#unique-entry-id-35http://www.kaosmusiccentre.com/jaysblog_files/54eb0bf4083c03ee20cfb0ce8d0b3d38-35.html#unique-entry-id-35Two new guitars that we are excited about are the GPCPA4 and the DCPA4 from Martin. They are less expensive sister models of the amazing GPCPA1 and DCPA1. They are a slightly scaled down version but still have the solid construction, playability, and sound that one expects from a Martin guitar. Martin has made a push to enter the electro-acoustic market that has taken off in the past 5 years. By using more sustainable woods like the sapele (very similar in tone to mahogany) and a more streamlined Fishman pickup system, they are able to bring a more affordable guitar to market that will please the beginner looking for their first electro-acoustic or the seasoned player.

Featured Specs:

Solid sitka spruce top, solid sapele back and sides and select hardwood neck. Bracing pattern is a hybrid ‘x’ scalloped. Electronics are a Fishman F1 analog pickup.

Jay Stradiotto]]>info@kaosmusiccentre.comHome2012-02-09T17:03:42-05:00http://www.kaosmusiccentre.com/jaysblog_files/1329a914bb487aa56e76b1cd6321740d-34.html#unique-entry-id-34http://www.kaosmusiccentre.com/jaysblog_files/1329a914bb487aa56e76b1cd6321740d-34.html#unique-entry-id-34Kaos has a bunch of great Martin guitars coming that Bill has ordered for the store. These include the standard D28 and D16 as well as some new models that were introduced at this years NAMM show. I will be discussing some of these models in the next few blogs. In this issue I want to talk about the newly designed D18. Martin used to have two main versions, the regular D18 and the D18v. Martin has decided to discontinue the D18v and instead bring some of it’s design into the regular model. What this means is that the new D18 has become a truly amazing guitar. It will continue to have the dovetail neck joint, solid sitka spruce top, solid genuine mahogany back and sides. The D18 now has forward shifted scalloped, X bracing, a nut width of 1 ¾ in., with a slimmer 2 ⅛in tapper at the 12th fret and 2 3/16th bridge string spacing. The polished top now comes standard with aging toner to give the guitar a great vintage look. All of this means a great playing and sounding guitar. Sure to be a classic.

To read more about this guitar, click here.

Til next time .. Jay Stradiotto

]]>info@kaosmusiccentre.comHome2012-02-06T17:42:17-05:00http://www.kaosmusiccentre.com/jaysblog_files/302a2be97ebf4776eee9c2d1e4fd3e04-32.html#unique-entry-id-32http://www.kaosmusiccentre.com/jaysblog_files/302a2be97ebf4776eee9c2d1e4fd3e04-32.html#unique-entry-id-32Godin announced a new acoustic guitar line under the Seagull name at this years NAMM show titled the Natural Elements Series. These guitars have similar body shapes and specs to the usual Seagull line but use eco-friendly woods that normally would have been destroyed or sourced out to other industries. They are still desired tone woods like spruce, rosewood, silver-leaf maple and wild cherry. The guitars have a very natural and rustic look to them and take on a lot of character with the markings and interesting grains that normally would have been overlooked. The models are accentuated by wood binding, flame maple veneer headstocks and a custom polished finish. The result is a great playing guitar with a full, rich and woody tone and an inexpensive price tag.

Watch for these guitars to arrive in our store over the next 6-8 weeks. In the meantime, if you'd like to read more about them click here.

Jay ..]]>info@kaosmusiccentre.comHome2012-01-30T13:07:39-05:00http://www.kaosmusiccentre.com/jaysblog_files/8657075db3fd46c697bf2081048d9c59-31.html#unique-entry-id-31http://www.kaosmusiccentre.com/jaysblog_files/8657075db3fd46c697bf2081048d9c59-31.html#unique-entry-id-31
Over the next few weeks I will be talking about some of the products I saw at the show, focusing mainly on the acoustic guitar side of the show but I will also talk a bit about some other products that caught my eye.

Jay.
]]>info@kaosmusiccentre.comHome2012-01-23T17:04:05-05:00http://www.kaosmusiccentre.com/jaysblog_files/c1610fc2f414dae34378c9072237574e-30.html#unique-entry-id-30http://www.kaosmusiccentre.com/jaysblog_files/c1610fc2f414dae34378c9072237574e-30.html#unique-entry-id-30
All the best .. Jay]]>info@kaosmusiccentre.comHome2012-01-16T16:07:42-05:00http://www.kaosmusiccentre.com/jaysblog_files/91f8c16ab7157734f7a8e4134c2954a3-29.html#unique-entry-id-29http://www.kaosmusiccentre.com/jaysblog_files/91f8c16ab7157734f7a8e4134c2954a3-29.html#unique-entry-id-29
I did a short review video a little while ago on these guitars. Click here to watch it.]]>info@kaosmusiccentre.comHome2011-07-06T17:28:57-04:00http://www.kaosmusiccentre.com/jaysblog_files/5a7e372538a4df52d5f7bc3b58b184b3-28.html#unique-entry-id-28http://www.kaosmusiccentre.com/jaysblog_files/5a7e372538a4df52d5f7bc3b58b184b3-28.html#unique-entry-id-28I have some new responsibilities at Kaos (in an official way anyways) as the newly appointed merchandising manager. This involves making sure the store looks its best in terms of layout, product display, and overall cleanliness. Although this has always been something that I have focused particular attention on in my years at Kaos, it seems a much more challenging (and hopefully rewarding) responsibility now that the pressure is on.

In any store the presentation is a key in developing a reputation with customers and leaving a positive impression. From the overall layout to the small details these can have an impact negatively or positively. We judge a stores presence within seconds of entering. It seems that more attention has been focused towards this lately. Apple stores, trendy shoe stores and boutique guitar stores setting a trend towards open, clean layouts with emphasis on display and product access.

As long time customers know we are constantly changing the layout of the store trying to find the right one for the limited space we have. It has been a challenge to say the least. We get a lot of positive comments on the store’s appearance and we hope to take it to another level in the coming months. Hopefully we will receive some suggestions from customers and more feedback to help us along.

Thanks .. Jay
]]>info@kaosmusiccentre.comHome2011-06-13T16:43:27-04:00http://www.kaosmusiccentre.com/jaysblog_files/85040ee9e9fbb20d06a9648fccdab383-27.html#unique-entry-id-27http://www.kaosmusiccentre.com/jaysblog_files/85040ee9e9fbb20d06a9648fccdab383-27.html#unique-entry-id-27The other day Lou and I were discussing the differences between DAW (Digital Audio Workstation) software programs and the pluses and minuses of each. The topic of software plugins came up and I mentioned that I did not think a certain product had as decent sounding fx plugins as some of it’s competitors. He stated that what is probably more accurate, is that they don’t have as nice looking plugins as some of the competitors. Meaning the look of the interface when you call up the plugin does not look as fancy or as aesthetically pleasing as others, giving the perception that they don’t sound as good. This could be debated, but it does suggest that we can be influenced or even persuaded to like or dislike something by the way it appears and the way we perceive it’s attractiveness or ugliness.

This obviously relates to most purchases we make, especially with guitars, amps and even fx pedals. I bought a Nash tele a number of months ago and have been very pleased with it, but the pickguard colour I chose has been bothering me (and others who have seen the guitar). I recently set out to find a more suitable one, and after looking at a few choices one stood out and seemed perfect for the guitar. As soon as I made the change, the guitar transformed in appearance and in my mind sounded even better at the following rehearsal. It’s got to be the pickguard.

Jay ..
]]>info@kaosmusiccentre.comHome2011-05-27T12:40:27-04:00http://www.kaosmusiccentre.com/jaysblog_files/b26d4a28f74385df5480563b5e9cb6c0-26.html#unique-entry-id-26http://www.kaosmusiccentre.com/jaysblog_files/b26d4a28f74385df5480563b5e9cb6c0-26.html#unique-entry-id-26Here are a few new products introduced at the MIAC show that caught my attention.

Yamaha A1 and A3 series acousitc guitars

This is a new acoustic/electric line from Yamaha that has a lot of buzz. They are a tayloresque style guitar with great furnishings. The A1 series features an A1M and A1R. The diffence being the back and side woods, with the M being mahogany and the R rosewood. Both have a solid sitka spruce top, mahogany neck, Rosewood fingerboard, Gloss finish with System 66 pickup system.

The A3 series have the same specs as the A1 except that they are solid mahogany or rosewood sides and back, and have the better system 66 SRT electronics and preamp system.
]]>info@kaosmusiccentre.comHome2011-05-04T16:59:23-04:00http://www.kaosmusiccentre.com/jaysblog_files/dd4b39bc816b0ddb8919358a8a5d1c99-25.html#unique-entry-id-25http://www.kaosmusiccentre.com/jaysblog_files/dd4b39bc816b0ddb8919358a8a5d1c99-25.html#unique-entry-id-25One of the many benefits of working at Kaos is the fact that we get to play and ‘test’ all of the great products that arrive into the store. Now that we are a Gibson dealer we are excited about getting our hands on all of the quality instruments from Gibson. I have always admired the Gibson acoustic guitars for their beauty, playability, and sound. As soon as they started arriving into the store I couldn’t wait to get my hands on them.

We received four models, the classic J-45 and Hummingbird, a Sheryl Crow CW signature model, and a more recent Gibson model the Songwriter Studio. Each one has that expected crisp, detailed, and well balanced tone, but each also has its own unique character. They have a great vibe to them and stand out both visually and sonically from the competitors. A real pleasure to play and admire.]]>info@kaosmusiccentre.comHome2011-05-03T17:11:42-04:00http://www.kaosmusiccentre.com/jaysblog_files/29b10946fef913c0feeba92c3b55d398-24.html#unique-entry-id-24http://www.kaosmusiccentre.com/jaysblog_files/29b10946fef913c0feeba92c3b55d398-24.html#unique-entry-id-24So you may have noticed that our Blogs are not always music related. Sometimes we use the medium as a reflection on events or places we have experienced. This past Easter weekend I had the opportunity to visit Chicago for the first time. I was emphatically told what a great city it was by a number of people, so I was excited and my expectations were very high. Chicago delivered. It is a very beautiful and clean city. It becomes very clear why it is known for it’s stunning architecture and skyscrapers. From the deco style Chicago Tribune building to the impressive Aon building and the immense Willis and John Hancock towers it has some spectacular buildings and views. Millennium park is the core event space in the city. It is a man-made park that has been built over a massive underground parking garage. It features some impressive designs including a large outdoor stadium with a modern roof structure by Frank Gehry.

The bars and music scene are also very lively from the touristy and legendary blues/jazz bars to the famous Chicago music hall to the many underground watering holes.

It is a city that seems to work on many levels from the amazing above ground train system that runs through every nook and cranny of the city to the large pedestrian passages and bridges (Toronto could learn a lot from Chicago’s city planning). The customer service I experienced was exceptional and the people I encountered very friendly for the most part. It still has a distinctive ‘American’ feel, but also seemed to have a ‘Canadian’ vibe that other cities in the U.S. don’t.

It's a 106 miles to Chicago, we've got a full tank of gas, half a pack of cigarettes; it's dark and we're wearing sun glasses. Hit it!
The Blues Brothers]]>info@kaosmusiccentre.comHome2011-04-29T12:52:17-04:00http://www.kaosmusiccentre.com/jaysblog_files/1eabc811e9ffd05fc6d7d2d92b62ff11-23.html#unique-entry-id-23http://www.kaosmusiccentre.com/jaysblog_files/1eabc811e9ffd05fc6d7d2d92b62ff11-23.html#unique-entry-id-23Last blog I talked about the some of the differences between electronic and acoustic drum kits. Over the past ten years or so electronic drum kits have become much more popular due to there increasing quality and affordability.

Roland has revamped there line and have some great levels for the beginner to the pro. The TDK4 is an affordable V-compact kit with upgraded mesh snare and cloth head kick pad for a more realistic feel. The TDK4X adds mesh toms, 3 level ride and newly designed V-cymbals. Both have built in instruction and coaching as well as recording options.

The TDK9 adds a better module with improved sounds and features and the TDK9X adds a V-hi hat that mount on to a standard hi-hat stand for improved realism.

Check out our website videos for Bill doing some demos and more detailed descriptions of these.
]]>info@kaosmusiccentre.comHome2011-04-19T16:38:22-04:00http://www.kaosmusiccentre.com/jaysblog_files/109b46fc64563681e01e61279dcbef43-22.html#unique-entry-id-22http://www.kaosmusiccentre.com/jaysblog_files/109b46fc64563681e01e61279dcbef43-22.html#unique-entry-id-22I am not talking guitar but drums. We often get asked what is better and the answer is not simple. They both have their benefits and drawbacks. Overall acoustic drums provide a much more realistic and rewarding drum experience because they obviously sound as we expect them to. Acoustic drums also have greater dynamics and provide a much more accurate feel. Having said this, electronic drums have come along way. They have gotten much more realistic in sound and feel. Electronic drums have some benefits over acoustic as well. They can be sound controlled (great for the parents of a drum enthusiast) and have a lot of features from changing the type of drum kit (electronic to acoustic sounding), built in metronome, song recording and ipod and computer implementation.

Leaders in electronic drum sets are Roland and Yamaha which make a range of kits from entry level to very high end. It’s all a matter of what is appropriate for your needs.

Next blog I will get into detail on some new electronic kits on the market.]]>info@kaosmusiccentre.comHome2011-04-12T09:33:54-04:00http://www.kaosmusiccentre.com/jaysblog_files/d333684bb992a900aca5264df532b6bd-21.html#unique-entry-id-21http://www.kaosmusiccentre.com/jaysblog_files/d333684bb992a900aca5264df532b6bd-21.html#unique-entry-id-21After a long winter we are all anticipating the spring and hopefully an endless summer. In my mind we are back to our ‘normal’ climate this year with a cold snowy winter behind us, a cool, wet spring ahead and probably a hot summer to follow. I did not embrace this past winter as I have in the past, instead craving summers return. I often looked about from the streetcar at the grey, cold, miserable days and thought, why am I living in this dreary city? Then I come back to my senses and remember what a great place it is. With all the wars, uprisings and natural disasters occurring in the world, we have it very easy. If all we have to complain about is the dropping temperature outside and the lack of sunshine, frankly, we have it made. It may not be paradise all year around, but Toronto should be a hard place not to appreciate.

That’s it for this week.]]>info@kaosmusiccentre.comHome2011-03-30T15:48:59-04:00http://www.kaosmusiccentre.com/jaysblog_files/dcc3e2d55daa6df833118a1d2ad08cc7-20.html#unique-entry-id-20http://www.kaosmusiccentre.com/jaysblog_files/dcc3e2d55daa6df833118a1d2ad08cc7-20.html#unique-entry-id-20This past Sunday night I went to see my friend Ken play at the Drake Hotel. He is a talented singer/ songwriter that goes by the name Viviv. He tends to play solo performances and sings and plays guitar. He has a unique style but has been influenced by the likes of Elliott Smith and Sun Kill Moon. In the past he has played mostly nylon string guitar but has recently made the switch to electric guitar. He plays a Gibson SG into a fender amp (although is waiting to buy the great Blackstar HT-20). He runs through a Boss DD-7 pedal and recently bought a Boss RC-20 looper. He uses the looper and delay settings to build up atmospheric backgrounds that greatly enhance the performance, providing a much more full sound than one would expect from a single performer. His voice is beautiful and haunting at the same time.

Years back when I was in my mid to late 20’s I made an effort to get out to as many music shows in Toronto as I could. I wouldn’t just go to the big popular shows but would visit the smaller venues and support the indie artists. Lee’s Palace, the Rivoli, the Drake, The Opera House, the Reverb, etc all providing some very memorable moments. I don’t see near as many shows as I used to, and tend to see more ‘professional’, bigger shows now, but in truth I miss the smaller shows with smaller venues, lower ticket prices, and a more caring and enthusiastic performer. These shows are often the best and most memorable.

When Ken was playing on Sunday the Junos happen to be on at the Air Canada centre in Toronto. Canada’s biggest music night when we congratulate all our accomplished musicians and pat them on the back. I was happier watching some great music at the Drake.

For Viviv information, visit:

http://www.myspace.com/kennethreaume
]]>info@kaosmusiccentre.comHome2011-03-25T09:38:50-04:00http://www.kaosmusiccentre.com/jaysblog_files/553077932bdc1ca447030d7e670372fe-19.html#unique-entry-id-19http://www.kaosmusiccentre.com/jaysblog_files/553077932bdc1ca447030d7e670372fe-19.html#unique-entry-id-19For decades the MIDI guitar has been worked and re-worked with not a lot of success.. It has either been exorbitantly expensive or not very reliable and sometimes both.

Until now. Roland has finally solved the issue with the new GR-55 Guitar synth that works and sounds amazing at a very affordable price. Roland labels the GR-55 as a revolutionary fusion interface combining guitar synthesis with powerful COSM guitar modelling. It is ideal for the stage or studio allowing the user to combine up to four sound sources at once, two of the PCM synth tones, one of the COSM guitar models and the guitar output. This allows the live user to have the synth and/or COSM tones going into a P.A. system or keyboard amp and the guitar output going to a regular electric guitar amp playing them all simultaneously. You can control the blend of these tones with the installed pickup GK-3 Divided pickup.

The realism of the synth parts have to be heard and played to be believed. They are truly amazing. From lush pads to realistic jazz organs, woodwinds and pianos all types of keyboard synthesis included. The guitar player now has full control over keyboard parts that sound extremely realistic.

As an added bonus the GR-55 is also a USB audio interface.

]]>info@kaosmusiccentre.comHome2010-12-07T15:15:51-05:00http://www.kaosmusiccentre.com/jaysblog_files/1992774e071f7767c345086ca0a77f69-18.html#unique-entry-id-18http://www.kaosmusiccentre.com/jaysblog_files/1992774e071f7767c345086ca0a77f69-18.html#unique-entry-id-18One very important part of a recording setup that is often overlooked by hobbyists or non-professionals is the monitoring equipment. Two vital pieces of gear for any studio setup are a decent pair of monitors and headphones. These are so important because they will be used to reference your material when recording it and mixing. Ideally, you want a flat, natural, and detailed reference. Studio monitors are not the same as traditional stereo speakers, as stereo speakers tend to be voiced in a way to make audio sound more ‘sweet’, while studio monitors are ideally flat, and accurate sounding. An active monitor is the popular choice these days. This combines the amp and the speaker in the design, avoiding the need for a separate amp and allows for easy connection from your interface or mixer straight to the monitors.

Some brands and models include:

Yamaha: HS50M AND 80M
M-Audio: BX5A Deluxe
KRK: Rockit and VXT series


Headphones are equally important and the same applies in terms of sounding as flat and natural as possible. Ipod headphones usually don’t cut it as they tend to hype the treble and bass frequencies (and often scoop the mids). A pair of closed back (for isolation) dynamic stereo headphones designed for studio monitoring are ideal. They don’t necessarily have to be super expensive (although pricier models tend to be more detailed and natural sounding). Monitor headphones can range from about $40 to the many hundreds.

Some brands and models include:

Audio Technica: ATHM10, M20, M30, M40FS, M50
AKG: K240, K270

Happy Recording! Jay
]]>info@kaosmusiccentre.comHome2010-11-08T17:32:53-05:00http://www.kaosmusiccentre.com/jaysblog_files/b5d2aa85e5c47709c0cba2f44cf2f1fb-17.html#unique-entry-id-17http://www.kaosmusiccentre.com/jaysblog_files/b5d2aa85e5c47709c0cba2f44cf2f1fb-17.html#unique-entry-id-17I have always been interested in not only the approach that musicians and producers take to record, but the gear as well. From which guitars, basses, amps and effects to the mics, preamps, interfaces and DAW’s used.

I am currently working on a couple of recording projects, one of my own material and another with a trio. The genre of music ranges from ambient guitar pieces to electronic to alternative folk rock. They are both ‘home’ studio recordings, the trio is being recorded in a friends basement and my own material in my condo. Although these are ‘hobby’ recordings we still have high expectations on the quality. They involve a combination of gear that we own and are renting.

Ideally we would all have the best gear available, but unless money is no object this can become unrealistically expensive. It is best to focus on the best you can afford and which pieces will make the most impact.

To accomplish the best sound,]]>info@kaosmusiccentre.comHome2010-10-27T16:15:18-04:00http://www.kaosmusiccentre.com/jaysblog_files/b3b4c089fc33204c212964a21466d8b3-16.html#unique-entry-id-16http://www.kaosmusiccentre.com/jaysblog_files/b3b4c089fc33204c212964a21466d8b3-16.html#unique-entry-id-16In the past when one was considering purchasing some sort of recording device, they would have had to choose between a stand-alone recording unit or a recording interface for the computer and also purchase a separate DAW package (if it didn’t come bundled with the unit).
Boss has simplified this by combining the two into the fantastic BR-800 recording unit. It combines a high quality 8 track stand-alone recording unit and 4 input USB interface, bundled with Cakewalk Sonar LE for the DAW (it is compatible with all ASIO acceptable DAWs).

As a stand-alone unit it can record 8 tracks, 4 tracks simultaneously with 8 virtual tracks per track. As an interface the total number of recorded tracks will depend on the software package. Usually it is between 48 (as the case with Sonar LE) and unlimited. It records at 24bit, 44khz for excellent sound quality. An SD 1-2 GB or SDHC 4-32 GB card is used to store songs (it comes packaged with a SD 1 GB card).

The effects and COSM settings are top notch with many of the effects coming from Boss’s top pedal and fx units including vocal fx from the VE-20 and guitar/bass COSM effects from the GT-10 guitar processor. These effects can be used in both stand-alone and USB modes. This is great for zero latency guitar/bass recording to a DAW.

Two high quality condenser mics are also built in for mobile or quick recording of ideas and music when needed.

Finally, it is a beautiful and compact unit with 8 faders, jog wheel , and modern flat buttons with a great feel.

An incredible unit for under $500.

Thanks for reading .. Jay]]>info@kaosmusiccentre.comHome2010-10-18T12:15:50-04:00http://www.kaosmusiccentre.com/jaysblog_files/bfd8b235a6299a8b10f62f6e8a0b8c2d-15.html#unique-entry-id-15http://www.kaosmusiccentre.com/jaysblog_files/bfd8b235a6299a8b10f62f6e8a0b8c2d-15.html#unique-entry-id-15As many people know, Canadian guitar manufacturer Godin have been making very high quality guitars for decades. With facilities in Quebec and the U.S. they have expanded over the years with a number of lines of acoustics including Norman, Seagull and La Patrie to name a few and remarkable electric guitars under the Godin name. What few may realize is that they also make some high quality bass guitars as well. With Fender dominating the bass market for years, many quality bass manufactures fall under the radar.

Godin has recently introduced the Shifter Bass, an extremely versatile and beautiful instrument that carries the Godin quality. The Shifter Bass features 3 large soapbar single coil alnico pickups with passive electronics and low pull, extra large magnets. A variety of tones can be selected via a 5-way switch that includes a push/pull knob allowing for 6 unique tone. Characteristics from a number of popular basses such as J bass, P bass, Music Man, Attack bass, slap, etc can be achieved out of this one bass.

Specifications include hard rock maple neck, rosewood or maple fingerboard, 16” radius, 34” scale, Canadian Laurentian Basswood body. Comes in trans cream high gloss or vintage burst flame high gloss.

A great sounding and versatile bass for under $1000.

Jay Stradiotto
]]>info@kaosmusiccentre.comHome2010-10-08T11:52:56-04:00http://www.kaosmusiccentre.com/jaysblog_files/7c753b9cd1ecc9d6d06ebb345111edb8-14.html#unique-entry-id-14http://www.kaosmusiccentre.com/jaysblog_files/7c753b9cd1ecc9d6d06ebb345111edb8-14.html#unique-entry-id-14The market for handheld recording devices is becoming more and more saturated these days with a plethora of new devices coming out. With the popularity of smartphones and the recording apps available for them, it is a competitive field. Having said that, the new Korg Sound on Sound unit looks like it has upped the anti in this department.

Korg has come up with an innovative new way of recording allowing non-destructive and layering of audio tracks within a single sound file. You can overdub as many additional parts as needed. Each take is saved as a separate file and can then be automatically lined up in a DAW and mixed.

The specs include 100 effects for a variety of instrument applications, 200 rhythm patterns for jamming along to, a mode called sound stretch that allows for slowing down audio, unlimited undo/redo, an internal stereo condenser microphone and speaker for monitoring. Data is stored to an included 2gb micro SD card and editing software is available for download for free.

All said a great little recording device.

Jay Stradiotto]]>info@kaosmusiccentre.comHome2010-09-24T09:51:02-04:00http://www.kaosmusiccentre.com/jaysblog_files/70856db6cccef7f4d0c8d234186037ac-13.html#unique-entry-id-13http://www.kaosmusiccentre.com/jaysblog_files/70856db6cccef7f4d0c8d234186037ac-13.html#unique-entry-id-13Fall

The fall season for most represents a time for our daily life schedule to get back to ‘normal’. With the quiet days of summer behind us the business of fall returns.

At Kaos we get a first hand impression of all the fall madness with the kids back in school and the parents rushing to deal with their kids and their own schedules, the huge amount of guitar and amp repairs, and customers buying some new gear for the year ahead. Our summers at Kaos are for the most part more quiet and reserved with most of the students off and sales a bit slower. While the two month break from the business is welcome by the end of June, I always look forward to the return of Fall and the craziness returning to Kaos. Our teachers, students, parents and the bulk of our customers return and it all just seems to feel right again. For me Fall is the best time of year. The best weather, the best choice of clothes to wear, the best new music coming out for the year, and the feeling of things returning to normal again. Yes, and the return of the blogs!

Just as long as winter is not too close ahead.

Jay..
]]>info@kaosmusiccentre.comHome2010-07-21T09:17:51-04:00http://www.kaosmusiccentre.com/jaysblog_files/944aa9505d799967881b9b9940be0695-12.html#unique-entry-id-12http://www.kaosmusiccentre.com/jaysblog_files/944aa9505d799967881b9b9940be0695-12.html#unique-entry-id-12We are finally getting the summer we deserve, the heat, sun and humidity. We complain about the heat, but this is what we look forward to all winter (and for the most part seemed to miss last summer). Summer concerts are in full swing and music is in the air. Guitars are blazing everywhere. Toronto summers seem to be a prime time for rock bands from the past to make their way into Toronto and sell out venues. Rush, Iron Maiden, Bon Jovi, U2, Lynard Skynard are just some of the bands that are making their way through Toronto this summer. Toronto has always been a great city for guitar rock and summer time seems to put us even more in the mood for a big guitar show. I think the main reason for summer rock madness is the outdoor venues that come into play. Torontonians love to get outside in the summer after a long winter couped up indoors, and nothing compares to an open air rock show.

While I will admit I am not the first person to line up to see some of the big name rock bands from the past (I prefer a more intimate show with more independant and lesser known artists ), the bigger outdoor summer shows I have seen still rank up high on my list of all time best shows. I remember seeing some amazing shows at the old Ontario Place Forum (now the Molson Amphitheatre) such as the Tragically Hip, Buddy Guy and Red Rider. Rush at the Amphitheatre, U2 at an open Rogers Centre, and Radiohead at Molson Park rate as three of my favourites. It was a combination of the great live show, crowd intensity and fresh air.

See you at the next show. Jay
]]>info@kaosmusiccentre.comHome2010-06-30T13:56:54-04:00http://www.kaosmusiccentre.com/jaysblog_files/deb9ce9058171b583fa709d4c9e4696b-11.html#unique-entry-id-11http://www.kaosmusiccentre.com/jaysblog_files/deb9ce9058171b583fa709d4c9e4696b-11.html#unique-entry-id-11This past Sunday we had our annual Kaos Music recital. A good portion of our students attend and play a short piece in front of family, friends and peers. It is a long day for the Kaos staff as we hold four recitals through the day, but I am always impressed by the performances and enthusiasm.

The recital confirms my belief that music is such a vital part of a persons development and character. The performers, from 4 and 5 year olds to our adult students, all show that at any level emotion and amusement can ensue. I was also able to play with the front of house staff band, Lou and Everett on guitars, Bill on drums, and myslelf on bass. While I am not much of a bass player and perhaps didn’t pull off the best performance, it was a lot of fun perfoming (something I haven’t done in a long time).

Overall, the recital is a great way to finish off a very productive and at times challenging year for our school.

Jay.]]>info@kaosmusiccentre.comHome2010-06-22T13:28:51-04:00http://www.kaosmusiccentre.com/jaysblog_files/925f26f6f635ac1c8e3a53f7a9d64f62-10.html#unique-entry-id-10http://www.kaosmusiccentre.com/jaysblog_files/925f26f6f635ac1c8e3a53f7a9d64f62-10.html#unique-entry-id-10One of the best known recording software programs on the market is also one that is essentially free.  Garageband comes with all new purchased Mac computers and has become very popular with recording enthusiasts and professional musicians.  It is one of the easiest DAWs to use and perhaps the most user friendly.  It has a very user friendly, intuitive design that allows the user to get straight to recording with little fuss and learning. It also comes bundled with great features, tons of loops and sound samples, great guitar, bass and synth sounds and some great effects.   For PC users, Steinberg make a program called Sequel that is very similar in functionality to Garageband.  It is not free, but is very affordable.


]]>info@kaosmusiccentre.comHome2010-06-14T16:28:27-04:00http://www.kaosmusiccentre.com/jaysblog_files/d8aa744e2348d18c58251212de10c3fa-9.html#unique-entry-id-9http://www.kaosmusiccentre.com/jaysblog_files/d8aa744e2348d18c58251212de10c3fa-9.html#unique-entry-id-9As I mentioned in part 1 the choice of recording software these days is much more vast than in the past and there really is no 'right' choice.  It gets down to what you will be comforatable using, what your friends maybe using, and what the experts have recommended to you.  If you spend time getting to know the software and as much time as possible using it, you will be making great recordings with any of them.  



]]>info@kaosmusiccentre.comHome2010-06-08T13:31:02-04:00http://www.kaosmusiccentre.com/jaysblog_files/e6438673dd99b201ce73c88786fda5bf-8.html#unique-entry-id-8http://www.kaosmusiccentre.com/jaysblog_files/e6438673dd99b201ce73c88786fda5bf-8.html#unique-entry-id-8What is the best recording software program?  This is a question that has been in debate for decades and the answer is not simple.  A better question is what is the best DAW for you personally.  The three big DAW names, Logic, Cubase and Pro Tools have lots of company these days from other developers.  They include Ableton Live, Cakewalk, Audacity, and Garageband.  Prices vary from free to over a $1000.


]]>info@kaosmusiccentre.comHome2010-05-31T13:00:43-04:00http://www.kaosmusiccentre.com/jaysblog_files/d05078dc80236cd5d052ede3da98c172-7.html#unique-entry-id-7http://www.kaosmusiccentre.com/jaysblog_files/d05078dc80236cd5d052ede3da98c172-7.html#unique-entry-id-7Death of the CD

The birth of the mp3 signaled the rapid demise of the CD.  New technology is making existing technologies and mediums obsolete faster than ever.  Wax records have been around since about 1887, cassette tapes since 1962 and the CD since about 1982. While audiophiles and nostalgics are still buying records due to it's superior fidelity, the cassette tape is all but gone and the CD is right behind it.]]>info@kaosmusiccentre.comHome2010-05-25T15:02:16-04:00http://www.kaosmusiccentre.com/jaysblog_files/9ce4aa661045224dc86f419d39796ef4-6.html#unique-entry-id-6http://www.kaosmusiccentre.com/jaysblog_files/9ce4aa661045224dc86f419d39796ef4-6.html#unique-entry-id-6Many people, whether involved with the music industry or not, will likely have or have met someone who has recorded a music CD of their own matererial.  It may have been a professional, semi-professional or 'hobby' like result, but more than likely it was or is a great sense of pride for the person giving it to you or selling it to you.



]]>info@kaosmusiccentre.comHome2010-05-18T14:37:47-04:00http://www.kaosmusiccentre.com/jaysblog_files/87647afe889714968ec65eb8a4457e1d-5.html#unique-entry-id-5http://www.kaosmusiccentre.com/jaysblog_files/87647afe889714968ec65eb8a4457e1d-5.html#unique-entry-id-5I was fortunate enough this past Monday to get a chance to go to the MIAC (Music Indunstries Association of Canada) show.  It is Canada's largest Music Industry show and was held at the Exhibition grounds in the Direct Energy building.  It is a chance for product makers, distributors, inventors and industry people to show off new products, meet with retailers, hold seminars on industry topics, etc.  It is the little brother in North America to the much larger NAMM show in Los Angelas, and although it attracts industry from all over the world it has a very Canadian presence and feel to it.]]>info@kaosmusiccentre.comHome2010-05-10T16:09:13-04:00http://www.kaosmusiccentre.com/jaysblog_files/3d219b25d1e9c77d08388e4622e1b8c7-4.html#unique-entry-id-4http://www.kaosmusiccentre.com/jaysblog_files/3d219b25d1e9c77d08388e4622e1b8c7-4.html#unique-entry-id-4In the music recording environment, we often have a tendency to tighten up once the record button is pressed.  We setup for the take, get comfortable on the mic, guitar, piano, etc., and once record is activated we lose a lot of the feel and timing that we had when we where rehearsing the part. The pressure of the situtation is to blame.



]]>info@kaosmusiccentre.comHome2010-05-03T15:39:54-04:00http://www.kaosmusiccentre.com/jaysblog_files/7a03964ccb5d534f647017a204884c03-3.html#unique-entry-id-3http://www.kaosmusiccentre.com/jaysblog_files/7a03964ccb5d534f647017a204884c03-3.html#unique-entry-id-3When we listen to recorded music, particularly modern music, we often say it has a certain 'sound' or even colour to it. This often is due to what happens beyond the artist and what is happening behind the scenes, particularly the producer and their role in the resulting product. The producer is essentially the sculptor to the overall sound of the recording. They will decide everything from the arrangements of the songs, to the instruments used, to lyric ideas, to choice of recording gear, studio used, mic choices, etc. They help the artist make the best decisions for the best possible results, and often with a non-biased opinion. ]]>info@kaosmusiccentre.comHome2010-04-28T15:17:55-04:00http://www.kaosmusiccentre.com/jaysblog_files/2d51c41c3761bc1ea72c059a7a07f7fa-2.html#unique-entry-id-2http://www.kaosmusiccentre.com/jaysblog_files/2d51c41c3761bc1ea72c059a7a07f7fa-2.html#unique-entry-id-2Buddhism teaches that there is ultimately no separation from one's self and the rest of the universe. We are all connected to each other and our surroundings. This would of course then include our guitar(s). Most players will understand the concept of a love/hate relationship with the guitar. Sometimes we can't put it down, other times we don't want to look at it. I struggle with this, but it helps to think that when I am not playing, I still have a metaphysical connection with it.

]]>info@kaosmusiccentre.comHome2010-04-20T10:42:28-04:00http://www.kaosmusiccentre.com/jaysblog_files/7532b3a30667854c2aa770cbcf659ba6-1.html#unique-entry-id-1http://www.kaosmusiccentre.com/jaysblog_files/7532b3a30667854c2aa770cbcf659ba6-1.html#unique-entry-id-1One of the greatest things for musicians and recording enthusiasts these days is the advancement of personal recording devices, sometimes called stereo or pocket recorders.  They are two track recorders that fit in the palm of your hand and can be used to record high quality audio files (stereo or mono), 16bit/44khz to 24bit/96khz depending on the unit.  The user will have the option of recording the file as an uncompressed PCM file or a compressed mp3 file at various bit rates.  They usually come with a high quality built in stereo condenser mic, built in memory, memory expansion options, usb connection, etc.  The built in mic will be directional or non-directional (or a combination). For directional, the mic will have to be facing the subject for optimal signal level, or non-directional allowing for a wider recording range, thus making it easier to get a more balanced signal among the band/group members. ]]>info@kaosmusiccentre.comHome2010-04-14T10:30:04-04:00http://www.kaosmusiccentre.com/jaysblog_files/ea160e25f604e5ef55642e1417d548d5-0.html#unique-entry-id-0http://www.kaosmusiccentre.com/jaysblog_files/ea160e25f604e5ef55642e1417d548d5-0.html#unique-entry-id-0Although looper pedals have been around for decades, the last few years have seen a resurgence in popularity of these simple, yet mighty pedals. Whether you are hoping to jam at home with yourself or build layered guitar phrases live, the looper pedal will provide a ton of fun and creativity. ]]>